/* BANGALORE CRAVINGS: THE TYPE SYSTEM. Locked 2026-07-30.
   ONE set of faces, four jobs, self-hosted. Imported by BOTH posts and deck slides so the
   identity cannot drift between the socials and the presentation.

   Chosen off pipeline/FONT-INVENTORY.json (1902 unique faces, 715 families, swept across home,
   /mnt/wsl, the Windows partition and /usr/share) and picked by rendering a specimen in BC's own
   words rather than by reading font names.

   FOUR FACES, ONE JOB EACH. Variety comes from PLACEMENT and SCALE, never from reaching for a
   different font per post. A different face per post is what "no system" looks like.

     --bc-name    ERICA ONE           the NAME. Dish names, headlines, the loud word.
                                      Fat, rounded, warm: the vintage enamel-sign and matchbox
                                      register BC's artwork already lives in. Display ONLY, never
                                      below 72px, because its counters close up at small sizes.
     --bc-struct  BIG SHOULDERS BOLD  the STRUCTURE. Sub-heads, labels, deck headings, anything
                                      under 72px that is not someone speaking. Condensed and
                                      industrial: same register, more neutral, reads at any size.
     --bc-voice   LORA ITALIC         the VOICE. Anything a person would SAY: a lyric, a question,
                                      an aside, a review. ALWAYS sentence case, never tracked caps.
     --bc-script  NOTO SANS KANNADA   the SCRIPT. Set at DISPLAY size inside the lockup, never as
                                      a small translation caption underneath.

   WHAT IS DELIBERATELY ABSENT
   - Fraunces and Instrument Serif. The design-slop scanner names them as the two LLM-default
     display serifs; they read as AI before they read as brand.
   - Any second display face. Erica One does all the shouting.

   THE KANNADA CONSTRAINT, stated because it limits the design and cannot be configured away
   Noto Sans Kannada is one of only TWO genuinely designed Kannada families on this box (the other
   is its serif). Nirmala UI, FreeSerif, Go Noto Kurrent and LastResort all pass a naive cmap check
   and render generic bitmaps or .notdef boxes: that false green is fixed in font-inventory.py.
   There is NO expressive Kannada DISPLAY face here, so Kannada currently carries less personality
   than the Latin. Acquiring one (Anek Kannada, Baloo Tamma) is a real outstanding task, not a
   setting.

   HARD LAW: no Kannada or Devanagari is ever generated, at any size. It is real type, set here,
   composited in the layout layer. */

@font-face{font-family:"BC Name";   src:url("EricaOne.ttf") format("truetype");        font-display:block}
@font-face{font-family:"BC Struct"; src:url("BigShoulders.ttf") format("truetype");    font-weight:700; font-display:block}
@font-face{font-family:"BC Voice";  src:url("LoraItalic.ttf") format("truetype");      font-style:italic; font-display:block}
@font-face{font-family:"BC Script"; src:url("NotoSansKannada.ttf") format("truetype"); font-display:block}

:root{
  --bc-name:"BC Name",  Impact, sans-serif;
  --bc-struct:"BC Struct", "Arial Narrow", sans-serif;
  --bc-voice:"BC Voice", Georgia, serif;
  --bc-script:"BC Script", sans-serif;

  /* THE FIELD COLOURS. RECONCILED 2026-07-30 to research/art-palette.json, which is the dominant
     colour MEASURED off each of their six printed dish panels. The first version of this file
     carried eyeballed approximations of these, which meant the posts and slide 08 were showing the
     client two different palettes for the same six dishes. A quantity that appears in more than one
     place gets ONE value, and the measured one wins over the remembered one.

     Two constants across all six panels: the same cream stock and the same saffron ochre. Only the
     field behind the dish moves. That finding IS the palette. */
  --bc-dose:#420D13;    /* masale dose    oxblood, the deepest of the six */
  --bc-kafi:#0D696F;    /* filter coffee  teal */
  --bc-goli:#B34A30;    /* goli baje      brick */
  --bc-kesari:#29205A;  /* kesari bath    indigo */
  --bc-idli:#E77D84;    /* idli vade      rose */
  --bc-puri:#7F8340;    /* masala puri    olive */
  --bc-paper:#F5E2C6;   /* the stock every panel is printed on. Constant. */
  --bc-ochre:#D99242;   /* the one accent, shared by all six. Constant. */
  --bc-ink:#1C1714;     /* warm near-black, never #000 */
  --bc-cream:#F1EADA;
  --bc-sand:#F3DFC0;
}

/* THE FOUR JOBS. Classes are named after the JOB, never the font: a class called .serif invites
   you to sprinkle it, a class called .voice makes you ask what is speaking. */
.bc-name  {font-family:var(--bc-name);   line-height:.92; letter-spacing:-.005em}
.bc-struct{font-family:var(--bc-struct); font-weight:700; line-height:1.0; letter-spacing:.005em}
.bc-voice {font-family:var(--bc-voice);  font-style:italic; line-height:1.24; letter-spacing:0}
.bc-script{font-family:var(--bc-script); line-height:1.06}

/* Relief: outline / hard stepped shadow. MEASURED to appear on illustration and NEVER on a flat
   field (4 of 4 corpus examples), so it is opt-in per element rather than a default. */
.bc-relief{text-shadow:
  3px 3px 0 var(--x), 6px 6px 0 var(--x), 9px 9px 0 var(--x), 12px 12px 0 var(--x),
  15px 15px 0 var(--x), 18px 18px 0 var(--x), 21px 21px 0 var(--x), 24px 24px 0 var(--x),
  27px 27px 0 var(--x), 30px 30px 0 var(--x), 33px 33px 0 var(--x), 36px 36px 0 var(--x)}